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RESIS 2026 | Entre Feldman – Niño de Elche, Héctor Cavallaro & Arxis Ensemble
La IX Edición del RESIS rinde homenaje al compositor Morton Feldman, figura fundamental de la creación musical de la segunda mitad del siglo XX, coincidiendo con el 100 aniversario de su nacimiento. En este contexto, el festival articula una programación
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RESIS 2026 | Entre Feldman – Niño de Elche, Héctor Cavallaro & Arxis Ensemble
La IX Edición del RESIS rinde homenaje al compositor Morton Feldman, figura fundamental de la creación musical de la segunda mitad del siglo XX, coincidiendo con el 100 aniversario de su nacimiento. En este contexto, el festival articula una programación
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« Erik Satie : cent ans à contre-temps », dans Marie-Laure Loizeau (dir.), Erik Satie : l’esprit symphonique, le courage artistique, catalogue d’exposition, Honfleur, musée Eugène-Boudin (5 juillet – 3 novembre 2025), Honfleur, Édition Société des Amis du musée Eugène-Boudin, 2025.
À l’occasion du centenaire de la mort du musicien, les contributeurs proposent une lecture de son œuvre et de son héritage, tout en le resituant dans le courant de l’histoire de l’art, notamment à travers ses liens avec les artistes
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« Erik Satie : cent ans à contre-temps », dans Marie-Laure Loizeau (dir.), Erik Satie : l’esprit symphonique, le courage artistique, catalogue d’exposition, Honfleur, musée Eugène-Boudin (5 juillet – 3 novembre 2025), Honfleur, Édition Société des Amis du musée Eugène-Boudin, 2025.
À l’occasion du centenaire de la mort du musicien, les contributeurs proposent une lecture de son œuvre et de son héritage, tout en le resituant dans le courant de l’histoire de l’art, notamment à travers ses liens avec les artistes
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Suspender la palabra — Festival Lumínic 2025
Suspender la palabra (2025) Concebida para el Festival Lumínic de San Cugat 2025, la investigación-performance Suspender la palabra reúne literatura, dramaturgia musical y arte visual. Explorando la tartamudez como fricción y quiebre del lenguaje, la obra revela su espesor en
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Suspender la palabra — Festival Lumínic 2025
Suspender la palabra (2025) Concebida para el Festival Lumínic de San Cugat 2025, la investigación-performance Suspender la palabra reúne literatura, dramaturgia musical y arte visual. Explorando la tartamudez como fricción y quiebre del lenguaje, la obra revela su espesor en
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A propósito de “Cada impulso que estalla” de nodoCCS – publicaciones “Misterioso Objeto”, Acme Estudio, Madrid, 2024
[texto de catálogo] Proyecto: CADA IMPULSO QUE ESTALLA Objeto: Desde el contexto de la memoria histórica, nodoCCS adoptó una perspectiva circular del tiempo, en contraposición a la linealidad occidental, y exploró los símbolos de la feminidad como guía para abrirse
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A propósito de “Cada impulso que estalla” de nodoCCS – publicaciones “Misterioso Objeto”, Acme Estudio, Madrid, 2024
[texto de catálogo] Proyecto: CADA IMPULSO QUE ESTALLA Objeto: Desde el contexto de la memoria histórica, nodoCCS adoptó una perspectiva circular del tiempo, en contraposición a la linealidad occidental, y exploró los símbolos de la feminidad como guía para abrirse
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Fornari-Cavallaro, “Passages” (Diacronie Media, 2024)
Fornari-Cavallaro Rome, IT / Paris, FR Itinerant between Rome and Paris, the Fornari-Cavallaro duo conducts a creative research that emerges from a historical, almost “archaeological”, interest in ancient musical materials of written and oral tradition, as well as from a
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Fornari-Cavallaro, “Passages” (Diacronie Media, 2024)
Fornari-Cavallaro Rome, IT / Paris, FR Itinerant between Rome and Paris, the Fornari-Cavallaro duo conducts a creative research that emerges from a historical, almost “archaeological”, interest in ancient musical materials of written and oral tradition, as well as from a
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Lux: Sept tableaux le long de la mer
“A kaleidoscope of anachronistic epiphanies floating between Caravaggio’s chiaroscuro and Armando Reverón’s dazzling tropical light” May 23, 2024 7:00pm – 9:00pm Reid Hall | 4 rue de Chevreuse 75006 Paris Free and open to the public / Registration required Lux:
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Lux: Sept tableaux le long de la mer
“A kaleidoscope of anachronistic epiphanies floating between Caravaggio’s chiaroscuro and Armando Reverón’s dazzling tropical light” May 23, 2024 7:00pm – 9:00pm Reid Hall | 4 rue de Chevreuse 75006 Paris Free and open to the public / Registration required Lux:
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Il Re Fanciullo / Portrait of the King as a Child (trailer)
A film by Alessandra Lancellotti Produced by Caucaso and Tempestade International distribution Ant!dote Sales (ITA, POR; 67′; 2013-2023) Once upon a time, there was a castle on a mountain, with a man inside. The man placed all the conflict and
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Il Re Fanciullo / Portrait of the King as a Child (trailer)
A film by Alessandra Lancellotti Produced by Caucaso and Tempestade International distribution Ant!dote Sales (ITA, POR; 67′; 2013-2023) Once upon a time, there was a castle on a mountain, with a man inside. The man placed all the conflict and
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« LUX »
« LUX » – kaléidoscope d’épiphanies anachroniques naviguant entre le chiaroscuro caravagesque et la lumière tropicale et éblouissante d’Armando Reverón. Mise en scène d’une chorégraphie théâtrale à partir de deux compositions musicales pour piano qui explorent des articulations particulières du
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« LUX »
« LUX » – kaléidoscope d’épiphanies anachroniques naviguant entre le chiaroscuro caravagesque et la lumière tropicale et éblouissante d’Armando Reverón. Mise en scène d’une chorégraphie théâtrale à partir de deux compositions musicales pour piano qui explorent des articulations particulières du
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« Étude de figures chez Francis Bacon » (2022) – concert « figures, portraits, ruines: musique pour piano » (nov. 2022)
« Étude de figures chez Francis Bacon » (2022) [création], piano solo interprète: Edgar Bonilla concert « figures, portraits, ruines: musique pour piano » 25 nov. 2022, 19h, amphi X, Université Paris 8 compositions: Héctor Cavallaro interprètes: Jesús Joves &
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« Étude de figures chez Francis Bacon » (2022) – concert « figures, portraits, ruines: musique pour piano » (nov. 2022)
« Étude de figures chez Francis Bacon » (2022) [création], piano solo interprète: Edgar Bonilla concert « figures, portraits, ruines: musique pour piano » 25 nov. 2022, 19h, amphi X, Université Paris 8 compositions: Héctor Cavallaro interprètes: Jesús Joves &
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« Étude sur la lumière chez Reverón » (2021) – concert « figures, portraits, ruines: musique pour piano » (nov. 2022)
« Étude sur la lumière chez Reverón » (2021) [création], piano solo interprète: Jesús Joves concert « figures, portraits, ruines: musique pour piano » 25 nov. 2022, 19h, amphi X, Université Paris 8 compositions: Héctor Cavallaro interprètes: Jesús Joves &
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« Étude sur la lumière chez Reverón » (2021) – concert « figures, portraits, ruines: musique pour piano » (nov. 2022)
« Étude sur la lumière chez Reverón » (2021) [création], piano solo interprète: Jesús Joves concert « figures, portraits, ruines: musique pour piano » 25 nov. 2022, 19h, amphi X, Université Paris 8 compositions: Héctor Cavallaro interprètes: Jesús Joves &
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« Étude sur l’ombre chez Caravaggio » (2018) – concert « figures, portraits, ruines: musique pour piano » (nov. 2022)
« Étude sur l’ombre chez Caravaggio » (2018), piano solo interprète: Edgar Bonilla concert « figures, portraits, ruines: musique pour piano » 25 nov. 2022, 19h, amphi X, Université Paris 8 compositions: Héctor Cavallaro interprètes: Jesús Joves & Edgar Bonilla
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« Étude sur l’ombre chez Caravaggio » (2018) – concert « figures, portraits, ruines: musique pour piano » (nov. 2022)
« Étude sur l’ombre chez Caravaggio » (2018), piano solo interprète: Edgar Bonilla concert « figures, portraits, ruines: musique pour piano » 25 nov. 2022, 19h, amphi X, Université Paris 8 compositions: Héctor Cavallaro interprètes: Jesús Joves & Edgar Bonilla
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figures, portraits, ruines: musique pour piano — concert 25 nov. 2022 // interprètes: Jesús Joves & Edgar Bonilla
figures, portraits, ruines: musique pour piano
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figures, portraits, ruines: musique pour piano — concert 25 nov. 2022 // interprètes: Jesús Joves & Edgar Bonilla
figures, portraits, ruines: musique pour piano
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“Sedimentos celestes” (2020), para trío de voces masculinas (Ensamble de la Abadesa)
“Sedimentos celestes” (2020), para trío de voces masculinas (Ensamble de la Abadesa) Sedimentos celestes (2020), para trío de voces masculinas. Compositor: Héctor Cavallaro fragmentos de textos de Friedrich Nietzsche, Pier Paolo Pasolini, Merleau-Ponty y Octavio Paz. Intérpretes: Ensamble de la
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“Sedimentos celestes” (2020), para trío de voces masculinas (Ensamble de la Abadesa)
“Sedimentos celestes” (2020), para trío de voces masculinas (Ensamble de la Abadesa) Sedimentos celestes (2020), para trío de voces masculinas. Compositor: Héctor Cavallaro fragmentos de textos de Friedrich Nietzsche, Pier Paolo Pasolini, Merleau-Ponty y Octavio Paz. Intérpretes: Ensamble de la
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Silence = Violence ?
Dans l’imaginaire collectif, le mot silence est souvent associé à une idée de paix, de calme et de tranquillité. La violence, au contraire, est en lien avec la force et l’agressivité. Est-il possible de faire coïncider ces deux concepts ?
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Silence = Violence ?
Dans l’imaginaire collectif, le mot silence est souvent associé à une idée de paix, de calme et de tranquillité. La violence, au contraire, est en lien avec la force et l’agressivité. Est-il possible de faire coïncider ces deux concepts ?
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Suono bene comune: riflessioni, esperienze e progetti dalla pandemia
A cura di Antonella Dicuonzo, Francesco Giomi e Ludovico Peroni. SUONO BENE COMUNE: RIFLESSIONI, ESPERIENZE E PROGETTI DALLA PANDEMIA La recente pandemia ha determinato un imprevedibile cambio di paradigmi culturali che ha spinto le attività umane, e in particolare molte
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Suono bene comune: riflessioni, esperienze e progetti dalla pandemia
A cura di Antonella Dicuonzo, Francesco Giomi e Ludovico Peroni. SUONO BENE COMUNE: RIFLESSIONI, ESPERIENZE E PROGETTI DALLA PANDEMIA La recente pandemia ha determinato un imprevedibile cambio di paradigmi culturali che ha spinto le attività umane, e in particolare molte
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Yeah Yeah Yeahs: a philosophical praxis of nostalgia – Musica Stampata
“Yeah Yeah Yeahs: a philosophical praxis of nostalgia” (Eng.) “Yeah Yeah Yeahs: una prassi filosofica della nostalgia” (It.) (Pop) Sci-Fi text published by Musica Stampata on March 2022. Available here.
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Yeah Yeah Yeahs: a philosophical praxis of nostalgia – Musica Stampata
“Yeah Yeah Yeahs: a philosophical praxis of nostalgia” (Eng.) “Yeah Yeah Yeahs: una prassi filosofica della nostalgia” (It.) (Pop) Sci-Fi text published by Musica Stampata on March 2022. Available here.
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Volume ! La revue des musiques populaires | 18 : 2 | 2021
18 : 2 | 2021 Experts – Non Experts Construction participative du savoir dans les musiques populaires : controverses et historiographie Participative Knowledge Construction in Popular Music: Controversies and Historiography https://doi.org/10.4000/volume.9403 Sous la direction de Christophe Levaux et Christophe Pirenne Ce numéro
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Volume ! La revue des musiques populaires | 18 : 2 | 2021
18 : 2 | 2021 Experts – Non Experts Construction participative du savoir dans les musiques populaires : controverses et historiographie Participative Knowledge Construction in Popular Music: Controversies and Historiography https://doi.org/10.4000/volume.9403 Sous la direction de Christophe Levaux et Christophe Pirenne Ce numéro
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« Étude sur l’ombre chez Caravaggio » (2018) – online premiere Fesival Latinoamericano XXI
Conversatorio: “Encuentro con los maestros de la música: Una conversación con Esteban Mujica” Étude sur l’ombre chez Caravaggio (2018) : partant du clair-obscur du peintre baroque italien Caravaggio, cette pièce pour piano puise dans l’ombre comme région spectrale dramatique, autant lumineuse
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« Étude sur l’ombre chez Caravaggio » (2018) – online premiere Fesival Latinoamericano XXI
Conversatorio: “Encuentro con los maestros de la música: Una conversación con Esteban Mujica” Étude sur l’ombre chez Caravaggio (2018) : partant du clair-obscur du peintre baroque italien Caravaggio, cette pièce pour piano puise dans l’ombre comme région spectrale dramatique, autant lumineuse
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Cuadernos de etnomusicología, Otoño 2020, nº15 (2)
Cuadernos de Etnomusicología nº15 (2) Otoño 2020 El presente número de Cuadernos Etnomusicología está marcado por el peso de la relación de las músicas populares con la realidad social y política. Las músicas urbanas a menudo se convierten en artefactos
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Cuadernos de etnomusicología, Otoño 2020, nº15 (2)
Cuadernos de Etnomusicología nº15 (2) Otoño 2020 El presente número de Cuadernos Etnomusicología está marcado por el peso de la relación de las músicas populares con la realidad social y política. Las músicas urbanas a menudo se convierten en artefactos
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Aislamiento: seis ensayos fotográficos / Isolation: six photo essays
Aislamiento: seis ensayos fotográficos / Isolation: six photo essays Descripción técnica: Peso del producto: 420 gr. Medidas: 15,5 x 21,5 cm. Cantidad de páginas: 120 Full color Papel: Splendorgel Extra White 140gr/m3 Tapa dura (cartoné) barniz mate Idioma: español e
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Aislamiento: seis ensayos fotográficos / Isolation: six photo essays
Aislamiento: seis ensayos fotográficos / Isolation: six photo essays Descripción técnica: Peso del producto: 420 gr. Medidas: 15,5 x 21,5 cm. Cantidad de páginas: 120 Full color Papel: Splendorgel Extra White 140gr/m3 Tapa dura (cartoné) barniz mate Idioma: español e
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Three works published on UCLA’s open access library
The UCLA Library in collaboration with Kaleidoscope just published digitally three of my works in their “Contemporary Music Score Collection”. The initiative seeks to empower living composers by making their work more accessible. So you can now access to tons
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Three works published on UCLA’s open access library
The UCLA Library in collaboration with Kaleidoscope just published digitally three of my works in their “Contemporary Music Score Collection”. The initiative seeks to empower living composers by making their work more accessible. So you can now access to tons
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Manières d’être du musical
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Manières d’être du musical
Manières d’être du musical, L’Harmattan (2020) ouvrage collective sous la direction de Jean-Paul Olive et Álaro Oviedo.Collection: Arts 8 Auteurs : Antoine Bonnet, Héctor Cavallaro, Chao-Chiun Chou, Jean-Marc Chouvel, Francis Courtot, Joseph Delaplace, Héloïse Demoz, Anis Fariji, Muriel Joubert, Max
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Un cristal de ordeño
« Un cristal de ordeño » (2019) (fl. + tsax. +bcl. + gtr. + perc. + cb.) Ensemble Libertas Dir. : Rafael Godoi Banco do Brasil e Ensemble Libertas apresentam : « Circuito de música contemporânea : apenas um
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Un cristal de ordeño
« Un cristal de ordeño » (2019) (fl. + tsax. +bcl. + gtr. + perc. + cb.) Ensemble Libertas Dir. : Rafael Godoi Banco do Brasil e Ensemble Libertas apresentam : « Circuito de música contemporânea : apenas um
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Cadran solaire
Cadran solaire / Reloj solar Création: Apolline LARHANT – Guedalia REYNAUD – Harry BRACHO – Ines COVILLE – Marie de MONTAIGNAC – Marta MUNUCE – Nelly TODOROVA Musique: Cinco imágenes (basadas en paisajes vericales) (2013) – Héctor Cavallaro ©Vidéo-danse Paris
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Cadran solaire
Cadran solaire / Reloj solar Création: Apolline LARHANT – Guedalia REYNAUD – Harry BRACHO – Ines COVILLE – Marie de MONTAIGNAC – Marta MUNUCE – Nelly TODOROVA Musique: Cinco imágenes (basadas en paisajes vericales) (2013) – Héctor Cavallaro ©Vidéo-danse Paris
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Tres paisajes catalanes
Tres paisajes catalanes (violín, piano y cuatro venezolano) (2013) Créditos: Dirección y Post producción – Mael Santiago Música y fotografía – Héctor Cavallaro Realizado en julio de 2013, Cataluña Trece ventanas, una línea que se encarama, dos bandas de
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Tres paisajes catalanes
Tres paisajes catalanes (violín, piano y cuatro venezolano) (2013) Créditos: Dirección y Post producción – Mael Santiago Música y fotografía – Héctor Cavallaro Realizado en julio de 2013, Cataluña Trece ventanas, una línea que se encarama, dos bandas de
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Retrato de Reynaldo Hahn & Marcel Proust
Retrato de Reynaldo Hahn & Marcel Proust (2014) para piano a 4 manos Intérpretes: Dúo Sans-Palacios (Juan Francisco Sans & Mariantonia Palacios) Compositor: Héctor Cavallaro, basado en fragmentos de Portraits de peintres (Reynaldo Hahn, Marcel Proust, 1894). Premiered at: Occupy
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Retrato de Reynaldo Hahn & Marcel Proust
Retrato de Reynaldo Hahn & Marcel Proust (2014) para piano a 4 manos Intérpretes: Dúo Sans-Palacios (Juan Francisco Sans & Mariantonia Palacios) Compositor: Héctor Cavallaro, basado en fragmentos de Portraits de peintres (Reynaldo Hahn, Marcel Proust, 1894). Premiered at: Occupy
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music for the film “Ubuntu” (2018)
film “Ubuntu” (2018) écrit par Magalie Biard production Oriane Dumas studio recording Damien Favreau et Antonin Vivet musique: Héctor Cavallaro chant: Laura Rius autres instruments: Héctor Cavallaro
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music for the film “Ubuntu” (2018)
film “Ubuntu” (2018) écrit par Magalie Biard production Oriane Dumas studio recording Damien Favreau et Antonin Vivet musique: Héctor Cavallaro chant: Laura Rius autres instruments: Héctor Cavallaro
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Retrato de Carlos Duarte
Retrato de Carlos Duarte (2013) for piano solo – Héctor Cavallaro Recorded on November 12, 2020 at the Conservatoire Edgar Varèse in Gennevilliers by Jésus Joves (piano) « Retrato de Carlos Duarte » (2013) para piano solo Esta pieza para
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Retrato de Carlos Duarte
Retrato de Carlos Duarte (2013) for piano solo – Héctor Cavallaro Recorded on November 12, 2020 at the Conservatoire Edgar Varèse in Gennevilliers by Jésus Joves (piano) « Retrato de Carlos Duarte » (2013) para piano solo Esta pieza para
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Cinco imágenes
Cinco imágenes (basadas en paisajes verticales) para octeto de Oboe (Corno inglés), Clarinete en Bb (Clarinete bajo en Bb), Fagot, Trompeta en Bb, Violín, Viola, Violonchelo y Contrabajo (2013) Ensamble Latinoamericano de Música Contemporánea Director: César Iván Lara Compositor: Héctor
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Cinco imágenes
Cinco imágenes (basadas en paisajes verticales) para octeto de Oboe (Corno inglés), Clarinete en Bb (Clarinete bajo en Bb), Fagot, Trompeta en Bb, Violín, Viola, Violonchelo y Contrabajo (2013) Ensamble Latinoamericano de Música Contemporánea Director: César Iván Lara Compositor: Héctor
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serie Portables: lo-fi landscapes
Portables: lo-fi landscapes
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serie Portables: lo-fi landscapes
Portables: lo-fi landscapes
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